Pierre André Ferrand
We are pleased to present a new solo show by Pierre André Ferrand.
Pierre André Ferrand, IC XC, 2011. Les deux portes, Muriaux, septembre 2012
We are pleased to present a new solo show by Pierre André Ferrand.
Pierre André Ferrand, IC XC, 2011. Les deux portes, Muriaux, septembre 2012
We are pleased to present trêve, a solo show by Pierre Schwerzmann.
trêve, 2025, acrylique sur toile, 30 x 24 cm (détail)
© Pierre Schwerzmann & Skopia
For his tenth solo exhibition at Skopia, Pierre Schwerzmann presented a series of 152 paintings measuring 30 × 24 cm as well as a series of monochrome paintings and inkjet prints on canvas.
Texere II is a group show with works by : Erik Bulatov, Alex Hanimann, Alain Huck, Robert Ireland, Olivier Mosset, Hinrich Sachs, Pierre Schwerzmann, Franz Erhard Walther.
We are pleased to present Musique douce. Disque rayé. Zut., a solo show by Gilles Furtwängler.
La langue très profond dans la bouche, 2021, acrylique sur papier coton, 46 x 61 cm
© Gilles Furtwängler & Skopia
“I am glad when someone is asking my advice on life”, Gilles Furtwängler’s first solo show at Skopia.
A Part of it , a group show featuring works by: Jérémy Chevalier, Vincent Fournier, Gilles Furtwängler, Eric Hattan
Silent Partner, a group show with works by: Gilles Furtwängler, Olivier Mosset and Anne Rochat.
Summer exhibition is a group show featuring pieces by: Silvia Bächli, Alexandre Bianchini, Erik Bulatov, Pierre André Ferrand, Franz Gertsch, Pierre Schwerzmann
Erik Bulatov, Forward I and Forward II, oil on canvas, 2015-2016, 600 x 600 cm (each)
© Erik Bulatov & Skopia
Photos : Julien Gremaud
With works by Silvia Bächli, Erik Bulatov, Franz Gertsch, Alex Hanimann, Thomas Huber, Alain Huck, Leanne Picthall, Christoph Rütimann, Pierre Schwerzmann
We are pleased to present Spring Break, a solo show by Alexandre Bianchini.
© Alexandre Bianchini
Born in 1966 in Geneva, where he lives and works.
Alexandre Bianchini began his artistic studies in 1983 at the Geneva School of Decorative Arts. He remained there for three years. He continued his training at the Ecole supérieure d'arts visuels de Genève, graduating in 1991.
In 1994, he co-founded Forde, an independent contemporary art space in Geneva. He was involved in its management and artistic programming until 1996.
Alexandre Bianchini likes to use the adjective “polymorphous” to define his artistic practice. Indeed, he does not confine himself to one artistic medium, be it painting, drawing, collage, photography or video; he uses them in parallel in a search for relevance between content and expression.
Bianchini's paintings reject the illusionistic space offered by the surface of the canvas, asserting the flatness of their support; the compositions, conceived as close-ups, show only one element at a time, isolated from any context and worked with flat tints of color that confirm the pictorial field as a flat surface.
Bianchini's language is not linear, and the relationship between the elements that make up his work is always plural. His installations compress many layers of meaning that never fully reveal themselves to the viewer.
The artist delivers works that retain an element of the elusive and the insoluble. Extremely dense and kaleidoscopic, they multiply viewpoints without reconciling them. By this very fact, the artist shakes the viewer, making him doubt his own perception. In a way, Alexandre Bianchini's work reminds us of the relativity of every point of view and the narrowness of every belief.
-Courtesy Maryline Billod
We are pleased to showcase at the fair a group show on booth B17.
© François Doury
MULTIPLES is a group show featuring pieces by: Carl Andre, Francis Baudevin, Daniel Buren, Franz Gertsch, Douglas Gordon, Alex Hanimann, Thomas Huber, Alain Huck, Jasper Johns, Ulrich Meister, Claudio Moser, Markus Raetz, Lawrence Weiner
We are pleased to showcase at the fair a group show on booth B28 as well as a solo show on booth B28s by Leanne Picthall
We are pleased to present a solo show by Franz Erhard Walther.
Schichtenzeichnung, 197471981, gouache and pencil on paper, 29,7 x 21 cm
© Franz Erhard Walther & Skopia