Hinrich Sachs
Hinrich Sachs was born in Osnabrück, Germany, in 1962. He lives and works in Basel.
Hinrich Sachs was born in Osnabrück, Germany, in 1962. He lives and works in Basel.
Acting on several platforms at the same time, in the spotlight and as a voice-over, Hinrich Sachs interprets the world in the signs of countless languages, including many that we read with him visually more than we understand.
Since 1992, for example, in the series Muttersprache [Mother Tongue], he has been painting watercolors that, in subtle proximity to the originals, reproduce the illustrated covers of children's language textbooks. The iconography of reading and writing shows letters of the alphabet as toys or living beings, or has the writing utensil grow into an organic pencil tree. Silently, text and image begin to converse about language. […]
The simultaneity of several sign systems in the works of Hinrich Sachs is reminiscent of “l’imaginaire des langues” by the poet and philosopher Édouard Glissant (1928–2011): anyone who writes today is no longer alone in one language—his or her own—, but is aware of the presence of all the world’s other languages, including all those that are not understood and remain obscure. Meanings can arise from the vibrant relationships between different languages and ways of speaking. Hinrich Sachs’s works are models of his comprehensive poetics of connection.
— Courtesy Hans Rudolf Reust
Inkjet on paper. Edition of 3
62 × 48.5 cm
HSA-13-01
Inkjet on Canson Infinity Rag Photographique paper.
Edition of 3
93 × 74 cm
HSA-11-01
Watercolor on paper
56.8 × 47.8 cm (frame included)
HSA-92-15
Watercolour on paper
53.7 × 48 cm (frame included)
HSA-92-13
Watercolour on paper
48.6 × 38.2 cm (frame included)
HSA-92-12
Watercolour on paper
46.7 × 41.5 cm (frame included)
HSA-92-10
Watercolour on paper,
49 × 38.2 cm (frame included)
HSA-92-08
Watercolour on paper
48.8 × 38.2 cm (frame included)
HSA-92-05
Watercolour on paper
47.2 × 42.7 cm (frame included)
HSA-92-04
Watercolour on paper
47.7 × 41.4 cm (frame included)
HSA-92-02
Watercolor on paper
52 × 45.4 cm (frame included)
HSA-92-01
Watercolour on paper
71 × 66.5 cm
HSA-08-08
Watercolour on paper
64.5 × 54.5 cm
HSA-08-12
Watercolour on paper
83.5 × 74 cm
HSA-08-09
Watercolour on paper
74.5 × 49.3 cm
HSA-08-06
Watercolour on paper
68.9 × 45.2 cm
HSA-08-05
Watercolour on paper
100 × 61 cm
HSA-08-04
Perspex. Edition of 5
35.3 × 29.7 cm
HSA-10-10
Skopia, « On doit exposer sa vie pour la liberté (Don Quichotte) », 2010 (French)
Skopia, « On doit exposer sa vie pour la liberté (Don Quichotte) », 2010 (English)
Skopia, « On doit exposer sa vie pour la liberté (Don Quichotte) », 2010 (German)
Inge Hinterwaldner, « Kneten, Modellieren, Formen », 2007 (German)
Barny Drabble, « Trading Places. Art and Global Economics », 2001 (English)
Hinrich Sachs, Fredrik Ehlin eds.
Humboldt Books, Milan, 2019
ISBN 978-88-99385-45-3
Hinrich Sachs, Kirke Meng, Samuel Richter, Rikard Heberling eds.
Onomatopee, Einhoven, 2018
ISBN 978-94-91677-91-5
Eine kleine Geschichte des Architekturmodells in der zeitgenössischen Kunst
Eva Schmidt ed.
Exhibition catalogue Museum für Gegenwartskunst Siegen/Snoeck, 2014
ISBN 978-3-86442-095-5
Eran Schaerf, Eva Meyer, Hinrich Sachs, et al.
OEI editör, Stockholm, 2012
ISBN 978-91-85905-46-1
Eva Schmidt, Angelika Schallenberg
DuMont Buchverlag GmbH & Co., Cologne, 2010
ISBN 978-3-8321-9309-6
Hinrich Sachs, Ruth Buchanan, Birgit Kempker, et al.
Christoph Keller Editions / JRP Ringier Kunstverlag, Zürich, 2010
ISBN 978-3-03764-133-0